烟子 / 烟紫
えんじ
They are historically related enji-family material or pigment terms, but they are not the same record as the modern color name 臙脂色.
Japanese Color Atlas日本色譜These records preserve source-backed material vocabulary without turning every pigment, dye, or alternate graph into a color-name entry. They explain context around colors while keeping HEX approximations separate.
えんじ
They are historically related enji-family material or pigment terms, but they are not the same record as the modern color name 臙脂色.
えびぞめ
It shares the reading えびぞめ with the atlas record 葡萄染, but uses a different graph and documentary basis.
に / えんたん
丹 is the historical lead-oxide pigment behind the color name 丹色; the name long outlived the specific material.
しゅさ
Cinnabar/vermilion is the mineral basis of 朱色; period texts call both natural and synthetic forms shu/shusa.
こんじょう
金青 is the Nara-period term for the azurite blue behind 群青色; the later term 紺青 shifted toward Prussian blue.
ごふん
胡粉 is the calcium-carbonate shell white that gives 胡粉色 its name and is still made for nihonga today.
えんし
Soot black is a pigment relative of 墨色; period records count it as enshi, distinct from the sumi ink stick.
すおう
Sappanwood is the dye material behind 蘇芳色; mordant and concentration move it across red-to-purple.
きはだ
黄檗 is the berberine yellow dye behind 黄檗色, historically used on paper and textiles.
あかね
Madder root is the dye behind 茜色, distinct from the safflower red of 紅.
ろくしょう
緑青 is the malachite mineral pigment that names this record; particle size grades it from deep to pale.
びゃくろく
白緑 is the finely-ground, lighter grade of malachite (緑青), used for paler greens in painting.
あい / せいたい
藍 is the indigo plant and 青黛 its prepared blue; together they are the dye basis of 藍色.
しど
紫土 is a rare manganiferous earth pigment for purple, a material relative of the dye-based 紫.